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1 mere preparation
юр.Н.П. приготовление к преступлению (criminal law) -
2 приготовление к преступлению
Русско-английский юридический словарь > приготовление к преступлению
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3 приготовление к преступлению
Русско-английский словарь по экономии > приготовление к преступлению
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4 приготовление к преступлению
Русско-английский юридический словарь > приготовление к преступлению
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5 приготовление к преступлению
Бизнес, юриспруденция. Русско-английский словарь > приготовление к преступлению
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6 приготовление
Русско-английский словарь по информационным технологиям > приготовление
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7 военные приготовления
1. armament preparationвоенные приготовления; вооружение — armament preparation
2. warlike preparationsРусско-английский большой базовый словарь > военные приготовления
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8 приготовление к преступлению
2) leg.N.P. mere preparation (criminal law), preparation (criminal law)Универсальный русско-английский словарь > приготовление к преступлению
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9 усиление военных приготовлений
Русско-английский военно-политический словарь > усиление военных приготовлений
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10 रसः _rasḥ
रसः [रस्-अच्]1 Sap, juice (of trees); इक्षुरसः, कुसुमरसः &c.-2 A liquid, fluid; यष्टव्यं पशुभिर्मुख्यैरथो बीजै रसैरिति Mb.14.91.21; न्यस्ताक्षरा धातुरसेन यत्र Ku.1.7.-3 Water; सहस्रगुणमुत्स्रष्टुमादत्ते हि रसं रविः R.1.18; Bv.2.144.-4 Liquor, drink; Ms.2.177.-5 A draught, potion.-6 Taste, flavour, relish (fig. also) (considered in Vaiś. phil. as one of the 24 gunas; the rasas are six; कटु, अम्ल, मधुर, लवण, तिक्त and कषाय); परायत्तः प्रीतेः कथ- मिव रसं वेत्तु पुरुषः Mu.3.4; U.2.2.-7 A sauce, condi- ment,-8 An object of taste; मनो बबन्धान्यरसान् विलङ्ध्य सा R.3.4.-9 Taste or inclination for a thing, liking, desire; रसवर्जं रसो$प्यस्य परं दृष्ट्वा निवर्तते Bg.2.59; इष्टे वस्तुन्युपचितरसाः प्रेमराशीभवन्ति Me.114.-1 Love, affec- tion; जरसा यस्मिन्नहार्यो रसः U.1.39; प्रसरति रसो निर्वृतिघनः 6.11 'feeling of love'; रसादृते V.2.21; Ku. 3.37.-11 Pleasure, delight, happiness; चिरात्सुतस्पर्श- रसज्ञतां ययौ R.3.26.-12 Charm, interest, elegance, beauty.-13 Pathos, emotion, feeling.-14 (In poetic compositions) A sentiment; नवरसरुचिरां निर्मितिमादधती भारती कवेर्जयति; K. P.1. (The rasas are usually eight:-- शृङ्गारहास्यकरुणरौद्रवीरभयानकाः । भीभत्साद्भुतसंज्ञौ चेत्यष्टौ नाट्ये रसाः स्मृताः ॥ but sometimes शान्तरस is added; thus making the total number 9; निर्वेदस्थायिभावो$स्ति शान्तो$पि नवमो रसः K. P.4; sometimes a tenth, वात्सल्यरस, is also added. Rasas are more or less a necessary factor of every poetic composition, but, according to Viśvanātha, they constitute the very essence of poetry; वाक्यं रसात्मकं काव्यम् S. D.3.).-15 Essence, pith, best part; ब्रह्म तेजोमयं शुक्रं यस्य सर्वमिदं रसःMb.12.24.9.-16 A con- stituent fluid of the body.-17 Semen virile.-18 Mer- cury.-19 A poison, poisonous drink; as in तीक्ष्णरस- दायिनः; रसविधानकौशलैः Dk.2.8.-2 Any mineral metallic salt.-21 Juice of the sugar-cane.-22 Milk.-23 Melted butter.-24 Nectar; मयः कूपरसे$क्षिपत् Bhāg.7.1.59-6.-25 Soup, broth.-26 A symboli- cal expression for the number 'six'.-27 Green onion.-28 Myrrh.-29 Gold.-3 A metal in a state of fusion.-31 See रसातल; अनेन नूनं वेदानां कृतमाहरणं रसात् Mb.12.347.67.-32 The tongue (as the organ of taste); वाण्यां च छन्दांसि रसे जलेशम् Bhāg.8.2.27; जितं सर्वं जिते रसे 11.8.21.-33 (With Vaiṣṇavas.) Dispo- sition of the heart or mind (the five Rasas are शान्ति, दास्य, साख्य, वात्सल्य and माधुर्य).-Comp. -अग्रजम् an ointment prepared from the calx of brass.-अञ्जनम् vitriol of copper, a sort of collyrium.-अधिक a.1 tasty.-2 abounding in pleasures, splendid; Ś.7.2 (v. l.). (-कः) borax.-अन्तरम् 1 a different taste.-2 different feelings or sentiments.-अभिनिवेशः intentness of affection.-अम्लः 1 a kind of sorrel.-2 sour sauce.-अयनम् 1 an elixir of life (elixir vitæ), any medicine supposed to prolong life and prevent old age; निखिलरसायनमहितो गन्धेनोग्रेण लशुन इव R. G.-2 (fig.) serving as an elixir vitæ, i. e. that which gratifies or regales; आनन्दनानि हृदयैकरसायनानि Māl.6.8; मनसश्च रसायनानि U.1.37; श्रोत्र˚, कर्ण˚ &c.-3 alchemy or chemistry.-4 any medicinal compound.-5 butter-milk.-6 poison.-7 long pepper.(-नः) 1 an alchemist.-2 N. of Garuḍa. ˚श्रेष्ठः mer- cury. (-नी f.)1 a channel for the fluids of the body.-2 N. of several plants:-- गुडूची, काकमाची, महाकरञ्ज, गोरक्षदुग्धा and मांसच्छदा.-आत्मक a.1 consisting of juice or sentiment.-2 elegant, beautiful.-3 having taste or flavour.-4 ambrosial; रसात्मकस्योडुपतेश्च रश्मयः Ku.5.22.-5 fluid, liquid, watery; सोमो भूत्वा रसात्मकः Bg.15.13.-आदानम् absorption of fluid, suction.-आधारः the sun.-आभासः 1 the semblance or mere appearance of a sentiment; अनौचित्यप्रवृत्तत्वे आभासो रसभावयोः S. D.-2 an improper manifestation of a sentiment.-आश्रयः a. embodying or representing sentiments.-आस्वादः 1 tasting juices of flavours.-2 perception or appreciation of poetic sentiments, a perception of poetical charm; as in काव्यामृतरसास्वादः.-आस्वादिन् m. a bee.-आह्वः tur- pentine.-इक्षुः sugar-cane.-इन्द्रः 1 mercury.-2 the philosopher's stone (the touch of which is said to turn iron into gold); ˚वेधजम्, संजातम् the gold.-उत्तमम् milk.(-मः) 1 quicksilver.-2 Phaseolus Mungo (Mar. मूग).-3 milk.-उत्पत्तिः 1 production of taste.-2 development of passion or sentiment.-3 generation of the vital fluids.-उद्भवम् 1 a pearl.-2 vermilion.-उपलम् a pearl.-ऊनम् garlic; also ऊनकः.-ओदनम् rice boiled in meat-broth.-कर्पूरम् sublimate of mer- cury.-कर्मन् n. preparation of quicksilver.-केसरम् camphor.-क्रिया the inspissation and application of fluid remedies.-गन्धः, -न्धम् gum-myrrh.-गन्धकः 1 myrrh.-2 sulphur.-गर्भम् 1 = रसाञ्जन.-2 vermilion.-गुण a. possessing the quality of taste; ज्योतिषश्च विकुर्वाणा- दापो रसगुणाः स्मृताः Ms.1.78.-ग्रह a.1 perceiving flavours.-2 appreciating or enjoying pleasures. (-हः) the organ of taste.-घन a. full of juice.-घ्नः borax.-जः 1 sugar, molasses.-2 an insect produced by the fermentation of liquids.-जम् blood. -a. bred in fluids; Ms.11.143.-जातम् an ointment prepared from the calx of brass.-ज्ञ a.1 one who appreciates the flavour or excellence of, one who knows the taste of; सांसारिकेषु च सुखेषु वयं रसज्ञाः U.2.22.-2 capable of discerning the beauty of things.(-ज्ञः) 1 a man of taste or feeling, a critic, an appreciative person, a poet.-2 an alchemist.-3 a physician, or one who prepares mer- curial or other chemical compounds. (-ज्ञा) the tongue; सखि मा जल्प तवायसी रसज्ञा Bv.2.59; (-रसज्ञता, त्वम् means1 poetical skill.-2 alchemy.-3 knowledge of flavours.-4 discrimination.).-ज्ञानम् a branch of medical science.-ज्येष्ठः 1 the sweet taste.-2 the love sentiment.-तन्मात्रम् the subtle element of taste.-तेजस् n. blood.-दः 1 a physician; Mb.12.121.45.-2 a spy who administers poison; Kau. A.1.12.-द्राविन् a kind of citron.-धातु n. quicksilver.-धेनुः a cow consisting of fruit-juice.-नाथः mercury.-नायकः N. of Sacute;iva.-निवृत्तिः loss of taste.-नेत्रिका red arsenic.-पाकजः molasses.-पाचकः a cook.-प्रबन्धः any poetical com- position, particularly a drama.-फलः the cocoanut tree.-भङ्गः the interruption or cessation of a sentiment.-भवम् blood.-भस्मम् n. oxide of mercury.-भेदः a preparation of quicksilver.-मलम् impure excretions.-मातृका the tongue.-योगः juices mixed scientifically.-राजः, -लोहः 1 = रसाञ्जन.-2 quick-silver.-वादः alche- my.-विक्रयः sale of liquors.-विद्धम् artificial gold.-शास्त्रम् the science of alchemy.-शोधनः borax. (-नम्) purification of mercury.-सरोरुहम् a red lotus.-सिद्ध a.1 accomplished in poetry, conversant with sentiments; जयन्ति ते सुकृतिनो रससिद्धाः कवीश्वराः Bh.2.24.-2 skilled in alchemy.-सिद्धिः f. skill in alchemy.-सिन्दूरम् a cinnabar made of zinc, mercury, blue vitriol and nitre.-स्थानम् vermilion. -
11 Creativity
Put in this bald way, these aims sound utopian. How utopian they areor rather, how imminent their realization-depends on how broadly or narrowly we interpret the term "creative." If we are willing to regard all human complex problem solving as creative, then-as we will point out-successful programs for problem solving mechanisms that simulate human problem solvers already exist, and a number of their general characteristics are known. If we reserve the term "creative" for activities like discovery of the special theory of relativity or the composition of Beethoven's Seventh Symphony, then no example of a creative mechanism exists at the present time. (Simon, 1979, pp. 144-145)Among the questions that can now be given preliminary answers in computational terms are the following: how can ideas from very different sources be spontaneously thought of together? how can two ideas be merged to produce a new structure, which shows the influence of both ancestor ideas without being a mere "cut-and-paste" combination? how can the mind be "primed," so that one will more easily notice serendipitous ideas? why may someone notice-and remember-something fairly uninteresting, if it occurs in an interesting context? how can a brief phrase conjure up an entire melody from memory? and how can we accept two ideas as similar ("love" and "prove" as rhyming, for instance) in respect of a feature not identical in both? The features of connectionist AI models that suggest answers to these questions are their powers of pattern completion, graceful degradation, sensitization, multiple constraint satisfaction, and "best-fit" equilibration.... Here, the important point is that the unconscious, "insightful," associative aspects of creativity can be explained-in outline, at least-by AI methods. (Boden, 1996, p. 273)There thus appears to be an underlying similarity in the process involved in creative innovation and social independence, with common traits and postures required for expression of both behaviors. The difference is one of product-literary, musical, artistic, theoretical products on the one hand, opinions on the other-rather than one of process. In both instances the individual must believe that his perceptions are meaningful and valid and be willing to rely upon his own interpretations. He must trust himself sufficiently that even when persons express opinions counter to his own he can proceed on the basis of his own perceptions and convictions. (Coopersmith, 1967, p. 58)he average level of ego strength and emotional stability is noticeably higher among creative geniuses than among the general population, though it is possibly lower than among men of comparable intelligence and education who go into administrative and similar positions. High anxiety and excitability appear common (e.g. Priestley, Darwin, Kepler) but full-blown neurosis is quite rare. (Cattell & Butcher, 1970, p. 315)he insight that is supposed to be required for such work as discovery turns out to be synonymous with the familiar process of recognition; and other terms commonly used in the discussion of creative work-such terms as "judgment," "creativity," or even "genius"-appear to be wholly dispensable or to be definable, as insight is, in terms of mundane and well-understood concepts. (Simon, 1989, p. 376)From the sketch material still in existence, from the condition of the fragments, and from the autographs themselves we can draw definite conclusions about Mozart's creative process. To invent musical ideas he did not need any stimulation; they came to his mind "ready-made" and in polished form. In contrast to Beethoven, who made numerous attempts at shaping his musical ideas until he found the definitive formulation of a theme, Mozart's first inspiration has the stamp of finality. Any Mozart theme has completeness and unity; as a phenomenon it is a Gestalt. (Herzmann, 1964, p. 28)Great artists enlarge the limits of one's perception. Looking at the world through the eyes of Rembrandt or Tolstoy makes one able to perceive aspects of truth about the world which one could not have achieved without their aid. Freud believed that science was adaptive because it facilitated mastery of the external world; but was it not the case that many scientific theories, like works of art, also originated in phantasy? Certainly, reading accounts of scientific discovery by men of the calibre of Einstein compelled me to conclude that phantasy was not merely escapist, but a way of reaching new insights concerning the nature of reality. Scientific hypotheses require proof; works of art do not. Both are concerned with creating order, with making sense out of the world and our experience of it. (Storr, 1993, p. xii)The importance of self-esteem for creative expression appears to be almost beyond disproof. Without a high regard for himself the individual who is working in the frontiers of his field cannot trust himself to discriminate between the trivial and the significant. Without trust in his own powers the person seeking improved solutions or alternative theories has no basis for distinguishing the significant and profound innovation from the one that is merely different.... An essential component of the creative process, whether it be analysis, synthesis, or the development of a new perspective or more comprehensive theory, is the conviction that one's judgment in interpreting the events is to be trusted. (Coopersmith, 1967, p. 59)In the daily stream of thought these four different stages [preparation; incubation; illumination or inspiration; and verification] constantly overlap each other as we explore different problems. An economist reading a Blue Book, a physiologist watching an experiment, or a business man going through his morning's letters, may at the same time be "incubating" on a problem which he proposed to himself a few days ago, be accumulating knowledge in "preparation" for a second problem, and be "verifying" his conclusions to a third problem. Even in exploring the same problem, the mind may be unconsciously incubating on one aspect of it, while it is consciously employed in preparing for or verifying another aspect. (Wallas, 1926, p. 81)he basic, bisociative pattern of the creative synthesis [is] the sudden interlocking of two previously unrelated skills, or matrices of thought. (Koestler, 1964, p. 121)11) The Earliest Stages in the Creative Process Involve a Commerce with DisorderEven to the creator himself, the earliest effort may seem to involve a commerce with disorder. For the creative order, which is an extension of life, is not an elaboration of the established, but a movement beyond the established, or at least a reorganization of it and often of elements not included in it. The first need is therefore to transcend the old order. Before any new order can be defined, the absolute power of the established, the hold upon us of what we know and are, must be broken. New life comes always from outside our world, as we commonly conceive that world. This is the reason why, in order to invent, one must yield to the indeterminate within him, or, more precisely, to certain illdefined impulses which seem to be of the very texture of the ungoverned fullness which John Livingston Lowes calls "the surging chaos of the unexpressed." (Ghiselin, 1985, p. 4)New life comes always from outside our world, as we commonly conceive our world. This is the reason why, in order to invent, one must yield to the indeterminate within him, or, more precisely, to certain illdefined impulses which seem to be of the very texture of the ungoverned fullness which John Livingston Lowes calls "the surging chaos of the unexpressed." Chaos and disorder are perhaps the wrong terms for that indeterminate fullness and activity of the inner life. For it is organic, dynamic, full of tension and tendency. What is absent from it, except in the decisive act of creation, is determination, fixity, and commitment to one resolution or another of the whole complex of its tensions. (Ghiselin, 1952, p. 13)[P]sychoanalysts have principally been concerned with the content of creative products, and with explaining content in terms of the artist's infantile past. They have paid less attention to examining why the artist chooses his particular activity to express, abreact or sublimate his emotions. In short, they have not made much distinction between art and neurosis; and, since the former is one of the blessings of mankind, whereas the latter is one of the curses, it seems a pity that they should not be better differentiated....Psychoanalysis, being fundamentally concerned with drive and motive, might have been expected to throw more light upon what impels the creative person that in fact it has. (Storr, 1993, pp. xvii, 3)A number of theoretical approaches were considered. Associative theory, as developed by Mednick (1962), gained some empirical support from the apparent validity of the Remote Associates Test, which was constructed on the basis of the theory.... Koestler's (1964) bisociative theory allows more complexity to mental organization than Mednick's associative theory, and postulates "associative contexts" or "frames of reference." He proposed that normal, non-creative, thought proceeds within particular contexts or frames and that the creative act involves linking together previously unconnected frames.... Simonton (1988) has developed associative notions further and explored the mathematical consequences of chance permutation of ideas....Like Koestler, Gruber (1980; Gruber and Davis, 1988) has based his analysis on case studies. He has focused especially on Darwin's development of the theory of evolution. Using piagetian notions, such as assimilation and accommodation, Gruber shows how Darwin's system of ideas changed very slowly over a period of many years. "Moments of insight," in Gruber's analysis, were the culminations of slow long-term processes.... Finally, the information-processing approach, as represented by Simon (1966) and Langley et al. (1987), was considered.... [Simon] points out the importance of good problem representations, both to ensure search is in an appropriate problem space and to aid in developing heuristic evaluations of possible research directions.... The work of Langley et al. (1987) demonstrates how such search processes, realized in computer programs, can indeed discover many basic laws of science from tables of raw data.... Boden (1990a, 1994) has stressed the importance of restructuring the problem space in creative work to develop new genres and paradigms in the arts and sciences. (Gilhooly, 1996, pp. 243-244; emphasis in original)Historical dictionary of quotations in cognitive science > Creativity
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12 Aufmachung
Aufmachung f 1. GEN presentation, getup; layout (Buch); outfit (Kleidung); 2. V&M presentation* * *Aufmachung
(Ausstattung) make-up, window dressing, (Buch) getup, layout, turnout, presentation, (Waren) packaging;
• nicht in Aufmachungen für den Einzelverkauf not put up for retail sale;
• appetitanregende Aufmachung appetizing appeal;
• äußere Aufmachung (Ware) outward appearance;
• betrügerische Aufmachung false colo(u)r;
• bloße Aufmachung mere show, eyewash;
• redaktionelle Aufmachung editorial preparation;
• Aufmachung einer Bilanz striking of a balance sheet;
• Aufmachung von Produkten make-up of goods;
• Aufmachung einer Schadenrechnung average statement;
• große Aufmachung eines Zeitungsartikels featuring of an article;
• Aufmachung einer [Zeitungs]seite [page] layout. -
13 गन्धः _gandhḥ
गन्धः [गन्ध्-पचाद्यच्]1 Smell, odour; गन्धमाघ्राय चोर्व्याः Me.21; अपघ्नन्तो दुरितं हव्यगन्धैः Ś.4.8; R.12.27. (गन्ध is changed to गन्धि when as the last member of a Bah. comp. it is preceded by उद्, पूति, सु, सुरभि, or when the compound implies comparison; सुगन्धि, सुरभिगन्धि, कमलगन्धि मुखम्; शालिनिर्यासगन्धिभिः R.1.38; आहुति˚ 1.53; also when गन्ध is used in the sense of 'a little').-2 Smell considered as one of the 24 properties or guṇas of the Vaiśeṣikas; it is a property characteristic of पृथिवी or earth which is defined as गन्धवती पृथ्वी T. S.-3 The mere smell of anything, a little, a very small quantity; घृतगन्धि भोजनम् Sk.-4 A perfume, any fra- grant substance; एषा मया सेविता गन्धयुक्तिः Mk.8; Y.1. 231; Mu.1.4.-5 Sulphur.-6 Pounded sandal wood.-7 Connection, relationship.-8 A neighbour.-9 Pride, arrogance; as in आत्तगन्ध humbled or mortified.-1 An epithet of Śiva.-11 A sectarial mark on the forehead.-12 Similarity (सादृश्य); डुण्डुभानहिगन्धेन न त्वं हिंसितुमर्हसि Mb.1.1.3.-न्धम् 1 Smell.-2 Black aloe- wood.-Comp. -अधिकम् a kind of perfume.-अपकर्ष- णम् removing smells.-अम्बु n. fragrant water.-अम्ला the wild lemon tree.-अश्मन् m. sulphur....... गन्धा- श्मानं मनःशिलाम् । Śiva. B.3.19.-अष्टकम् a mixture of 8 fragrant substances offered to deities, varying in kind according to the nature of the deity to whom they are offered. Generally sandal, camphor, saffron, उशीर, cyperus pertenuis (Mar. नागरमोथा), गोरोचन, देवदार and a flower are used in the mixture.-आखुः the musk-rat.-आजीवः a vendor of perfumes.-आढ्य a. rich in odour, very fragrant; स्रजश्चोत्तमगन्धाढ्याः Mb. (-ढ्यः) the orange tree. (-ढ्यम्) sandal-wood.-इन्द्रियम् the organ of smell.-इभः, -गजः, -द्विपः, -हस्तिन् m. 'the scent- elephant', an elephant of the best kind; यस्य गन्धं समाघ्राय न तिष्ठन्ति प्रतिद्विपाः । स वै गन्धगजो नाम नृपतेर्विजयावहः ॥ Pālakāpyam; शमयति गजानन्यान्गन्धद्विपः कलभो$पि सन् V.5. 18; R.6.7;17.7; गन्धेन जेतुः प्रमुखागतस्य गन्धद्विपस्येव मतङ्गजौघः । Ki.17.17.-उत्तमा spirituous liquor.-उदम् scented water; Bhāg.9.11.26.-उपजीविन् m. one who lives by perfumes, a perfumer.-ओतुः (forming गन्धोतु वार्तिक or गन्धौतु) the civet cat.-कारिका 1 a female servant whose business is to prepare perfumes.-2 a female artisan living in the house of another, but not alto- gether subject to another's control.-कालिका, -काली f. N. of Satyavatī, mother of Vyāsa; Mb.1.-काष्ठम् aloe-wood.-कुटी 1 a kind of perfume.(-टिः, -टी) -2 The Buddhist temple, any chamber used by Buddha; पुण्योद्देशवशाच्चकार रुचिरां शौद्धोदनेः श्रद्धया । श्रीमद्गन्धकुटीमिमामिव कुटीं मोक्षस्य सौख्यस्य च ॥ (An inscription at Gayā V.9. Ind. Ant. Vol.X).-केलिका, -चेलिका musk.-ग a.1 taking a scent, smelling.-2 redolent.-गजः see गन्धेभ.-गुण a. having the property of odour.-घ्राणम् the smelling of any odour.-चरा f. The fourth stage of must of an elephant; Mātaṅga L.9.15.-जलम् fragrant water; सिक्तां गन्धजलैः Bhāg.1.11.14.-ज्ञा the nose.-तूर्यम् a musical instrument of a loud sound used in battle (as a drum or trumpet).-तैलम् 1 a fragrant oil, a kind of oil prepared with fragrant substances.-2 sul- phur-butter.-दारु n. aloe-wood.-द्रव्यम् a fragrant sub- stance.-द्वार a. perceptible through the odour.-धारिन् a. bearing fragrance. (-m.) an epithet of Śiva.-धूलिः f. musk.-नकुलः the musk-rat.-नालिका, -नाली the nose.-निलया a kind of jasmine.-पः N. of a class of manes.-पत्रा, -पलाशी a species of zedoary.-पलाशिका turmeric.-पालिन् m. an epithet of Śiva.-पाषाणः sulphur.-पिशाचिका the smoke of burnt fragrant resin (so called from its dark colour or cloudy nature, or perhaps from its attracting demons by fragrance).-पुष्पः 1 the Vetasa plant.-2 The Ketaka plant.(-ष्पम्) 1 a fragrant flower.-2 flowers and sandal offered to dei- ties at the time of worship.-पुष्पा an indigo plant.-पूतना a kind of imp or goblin.-फली 1 the Priyañgu creeper.-2 a bud of the Champaka tree.-बन्धुः the mango tree.-मातृ f. the earth.-मादन a. intoxicating with fragrance.(-नः) 1 a large black bee.-2 sul- phur.-3 an epithet of Rāvaṇa. (-नः, -नम्) N. of a particular mountain to the east of Meru, renowned for its fragrant forests (-नम्) the forest on this mountain.-मादनी spirituous liquor.-मादिनी lac.-मार्जारः the civet cat.-मुखा, -मूषिकः, -मूषी f. the musk rat.-मृगः 1 the civet cat.-2 the musk-deer.-मैथुनः a bull.-मोदनः sulphur.-मोहिनी a bud of the Champaka tree.-युक्तिः f. preparation of perfumes.-रसः myrrh (Mar. रक्त्याबोळ); लाक्षां गन्धरसं चापि...... Śiva. B.3.2. ˚अङ्गकः turpentine.-राजः a kind of jasmine.(-जम्) 1 a sort of perfume.-2 sandal-wood.-लता the Pri- yañgu creeper.-लोलुपा 1 a bee.-2 a fly or gnat.-वहः the wind; रात्रिंदिवं गन्धवहः प्रयाति Ś.5.4; दिग्दक्षिणा गन्धवहं मुखेन Ku.3.25.-वहा the nose.-वाहः 1 the wind; देहं दहन्ति दहना इव गन्धवाहाः Bv.1.14.-2 the musk-deer.-वाही the nose.-विह्वलः wheat.-वृक्षकः, -वृक्ष the Śāla tree.-व्याकुलम् a kind of fragrant berry (कक्कोल.)-शुण़्डिनी the musk-rat.-शेखरः musk.-सारः 1 sandal.-2 a kind of jasmine.-सुखी, -सूयी the musk shrew.-सोमम् the white water-lily.-हस्तिन् m. a scent-elephant; यस्य गन्धं समाघ्राय न तिष्ठन्ति प्रतिद्विपाः । तं गन्धहस्तिनं प्राहुर्नृपतोर्विजयावहम् ॥ Pālakāpyam.-हारिका a female servant whose business is to prepare perfumes; cf. गन्धकारिका. -
14 योगः _yōgḥ
योगः [युज् भावादौ घञ् कुत्वम्]1 Joining, uniting.-2 Union, junction, combination; उपरागान्ते शशिनः समुपगता रोहिणी योगम् Ś.7.22; गुणमहतां महते गुणाय योगः Ki.1.25; (वां) योगस्तडित्तोयदयोरिवास्तु R.6.65.-3 Contact, touch, connection; तमङ्कमारोप्य शरीरयोगजैः सुखैर्निषिञ्चन्तमिवामृतं त्वचि R.3.26.-4 Employment, application, use; एतै- रुपाययोगैस्तु शक्यास्ताः परिरक्षितुम् Ms.9.1; R.1.86.-5 Mode, manner, course, means; ज्ञानविज्ञानयोगेन कर्मणा- मुद्धरन् जटाः Bhāg.3.24.17; कथायोगेन बुध्यते H.1. 'In the course of conversation'.-6 Consequence, result; (mostly at the end of comp on in abl.); रक्षायोगादयमपि तपः प्रत्यहं संचिनोति Ś.2.15; Ku.7.55.-7 A yoke.-8 A convey- ance, vehicle, carriage.-9 (a) An armour. (b) Put- ting on armour.-1 Fitness, propriety, suitableness.-11 An occupation, a work, business.-12 A trick, fraud, device; योगाधमनविक्रीतं योगदानप्रतिग्रहम् Ms.8.165.-13 An expedient, plan, means in general.-14 Ende- avour, zeal, diligence, assiduity; ज्ञानमेकस्थमाचार्ये ज्ञानं योगश्च पाण़्डवे Mb.7.188.45. इन्द्रियाणां जये योगं समातिष्ठेद् दिवा- निशम् Ms.7.44.-15 Remedy, cure.-16 A charm, spell, incantation, magic, magical art; तथाख्यातविधानं च योगः संचार एव च Mb.12.59.48.-17 Gaining, acqui- ring, acquisition; बलस्य योगाय बलप्रधानम् Rām.2.82.3.-18 The equipment of an army.-19 Fixing, putting on, practice; सत्येन रक्ष्यते धर्मो विद्या योगेन रक्ष्यते Mb.5.34. 39.-2 A side; an argument.-21 An occasion, oppor- tunity.-22 Possibility, occurrence.-23 Wealth, sub- stance.-24 A rule, precept.-25 Dependence, relation, regular order or connection, dependence of one word upon another.-26 Etymology or derivation of the meaning of a word.-27 The etymological meaning of a word (opp. रूढि); अवयवशक्तिर्योगः.-28 Deep and ab- stract meditation, concentration of the mind, contempla- tion of the Supreme Spirit, which in Yoga phil. is defined as चित्तवृत्तिनिरोध; स ब्रह्मयोगयुक्तात्मा सुखमक्षयमश्नुते Bg. 5.21; सती सती योगविसृष्टदेहा Ku.1.21; V.1.1; योगेनान्ते तनुत्यजाम् R.1.8.-29 The system of philosophy established by Patañjali, which is considered to be the second division of the Sāṁkhya philosophy, but is prac- tically reckoned as a separate system; एकं सांख्यं च योगं च यः पश्यति स पश्यति Bg.5.5. (The chief aim of the Yoga philosophy is to teach the means by which the human soul may be completely united with the Supreme Spirit and thus secure absolution; and deep abstract medita- tion is laid down as the chief means of securing this end, elaborate rules being given for the proper practice of such Yoga or concentration of mind.)-3 A follow- er of the Yoga system of philosophy; जापकैस्तुल्यफलता योगानां नात्र संशयः Mb.12.2.23.-31 (In arith.) Addition.-32 (In astr.) Conjunction, lucky conjunc- tion.-33 A combination of stars.-34 N. of a parti- cular astronomical division of time (27 such Yogas are usually enumerated).-35 The principal star in a lunar mansion.-36 Devotion, pious seeking after god.-37 A spy, secret agent.-38 A traitor, a violator of truth or confidence.-39 An attack; योगमाज्ञापयामास शिकस्य विषयं प्रति Śiva B.13.7.-4 Steady applica- tion; श्रुताद् हि प्रज्ञा, प्रज्ञया योगो योगादात्मवत्ता Kau. A.1.5; मयि चानन्ययोगेन भक्तिरव्यभिचारिणी Bg.13.1.-41 Ability, power; एतां विभूतिं योगं च मम यो वेत्ति तत्त्वतः Bg. 1.7; पश्य मे योगमैश्वरम् 11.8.-42 Equality, sameness; समत्वं योग उच्यते Bg.2.48.-Comp. -अङ्गम् a means of attaining Yoga; (these are eight; for their names see यम 5.)-अञ्जनम् a healing ointment.-अनुशासनम् the doctrine of the Yoga.-अभ्यासिन् a. practising the Yoga philosophy.-आख्या a name based on mere casual contact; स्याद् योगाख्या हि माथुरवत् MS.1.3. 21. (cf. एषा योगाख्या योगमात्रापेक्षा न भूतवर्तमानभविष्यत्सं- बन्धापेक्षा ŚB. on ibid.)-आचारः 1 the practice or obser- vance of Yoga.-2 a follower of that Buddhist school which maintains the eternal existence of intelligence or विज्ञान alone.-3 An act of fraud or magic; ततो$नेन योगाचारन्यायेन दूरमाकृष्य Mv.4.-आचार्यः 1 a teacher of magic.-2 a teacher of the Yoga philosophy.-आधमनम् a fraudulent pledge; योगाधमनविक्रीतम् Ms.8.165.-आपत्तिः modification of usage.-आरूढ a. engaged in profound and abstract meditation; योगारूढस्य तस्यैव शमः कारणमुच्यते Bg.6.3.-आवापः the first attitude of an archer.-आसनम् a posture suited to profound and abstract meditation.-इन्द्रः, -ईशः, -ईश्वरः 1 an adept in or a master of Yoga.-2 one who has obtained superhuman faculties.-3 a magician.-4 a deity.-5 an epithet of Śiva.-6 a Vetāla.-7 an epithet of Yājñavalkya.-इष्टम् 1 tin.-2 lead.-कक्षा = योगपट्टम् below.-कन्या N. of the infant daughter of Yaśodā (substituted as the child of Devakī for Kṛiṣṇa and killed by Kaṁsa).-क्षेमः 1 security of possession, keeping safe of property.-2 the charge for securing property from accidents, insurance; Ms.7.127.-3 welfare, well-being, secu- rity, prosperity; तेषां नित्याभियुक्तानां योगक्षेमं वहाम्यहम् Bg. 9.22; मुग्धाया मे जनन्या योगक्षेमं वहस्व M.4.-4 property, profit, gain.-5 property designed for pious uses; cf. Ms.9.219.-मौ, -मे or-मम् (i. e. m. or n. dual or n. sing.) acquisition and preservation (of property), gain and security, preserving the old and acquiring the new (not previously obtained); अलभ्यलाभो योगः स्यात् क्षेमो लब्धस्य पालनम्; see Y.1.1 and Mit, thereon; तेन भृता राजानः प्रजानां योगक्षेमवहाः Kau. A.1.13; आन्वी- क्षिकीत्रयीवार्तानां योगक्षेमसाधनो दण्डः । तस्य नीतिः दण्डनीतिः Kau. A.1.4.-गतिः f.1 Primitive condition.-2 the state of union.-गामिन् a. going (through the air) by means of magical power.-चक्षुस् m. a Brāhmaṇa-चरः N. of Hanumat.-चूर्णम् a magical powder, a powder having magical virtues; कल्पितमनेन योगचूर्णमिश्रितमौषधं चन्द्रगुप्ताय Mu.2.-जम् agallochum.-तल्पम् = योगनिद्रा.-तारका, -तारा the chief star in a Nakṣatra or constellation.-दण्डः a magic wand; Sinhās.-दानम् 1 communica- ting the Yoga doctrine.-2 a fraudulent gift.-धारणा perseverance or steady continuance in devotion.-नाथः 1 an epithet of Śiva.-2 of Datta.-नाविका, -कः a kind of fish;-निद्रा 1 a state of half contemplation and half sleep, a state between sleep and wakefulness; i. e. light sleep; गर्भे प्रणीते देवक्या रोहिणीं योगनिद्रया Bhāg.1. 2.15; योगनिद्रां गतस्य मम Pt.1; H.3.75; ब्रह्मज्ञानाभ्यसन- विधिना योगनिद्रां गतस्य Bh.3.41.-2 particularly, the sleep of Viṣṇu at the end of a Yuga; R.1.14; 13.6.-3 N. of Durgā.-4 the great sleep of Brahmā during the period between प्रलय and उत्पत्ति of the universe.-निद्रालुः N. of Viṣṇu.-निलयः N. of Śiva or Viṣṇu.-पट्टम् a cloth thrown over the back and knees of an ascetic during abstract meditation; क्षणनीरवया यया निशि श्रितवप्रावलियोगपट्टया N.2.78; एकान्तावलम्बितयोगपट्टिकाम् गुहाम् K. Pūrvabhāga.-पतिः an epithet of Viṣṇu.-पदम् a state of self-concentration.-पादुका a magical shoe (taking the wearer anywhere he wishes).-पानम् a liquor adult- erated with narcotics.-पारगः N. of Śiva.-पीठम् a particular posture during Yoga meditation.-पीडः, -डम् a kind of posture of the gods.-पुरुषः a spy; यथा च योगपुरुषैरन्यान् राजाधितिष्ठति Kau. A.1.21.-बलम् 1 the power of devotion or abstract meditation, any superna- tural power.-2 power of magic.-भावना (in alg.) composition of numbers by the sum of their products.-भ्रष्ट a. one who has fallen from the practice of Yoga.-माया 1 the magical power of the Yoga.-2 the power of God in the creation of the world personified as a deity; (भगवतः सर्जनार्था शक्तिः); नाहं प्रकाशः सर्वस्य योगमायासमावृतः Bg.7.25.-3 N. of Durgā.-यात्रा the way to the union with the Supreme Spirit; the way of attaining Yoga.-युक्त a. immersed in deep meditation, absorbed; योगयुक्तो भवार्जुन Bg.8.27;5.6-7.-रङ्गः the orange.-रत्नम् a magical jewel.-राजः 1 a kind of medicinal preparation.-2 one well-versed in Yoga.-रूढ a.1 having an etymological as well as a special or conventional meaning (said of a word); e. g. the word पङ्कज etymologically means 'anything produced in mud', but in usage or popular convention it is restricted to some things only produced in mud, such as the lotus; cf. the word आतपत्र or 'parasol'.-2 engaged in meditation (s. v.-आरूढ); ध्यायन्ते...... योगिनो योगरूढाः Brav. P. ब्रह्मखण्ड 1.3.-रोचना a kind of magical ointment said to have the power of making one invisible or invulnerable; तेन च परितुष्टेन योगरोचना मे दत्ता Mk.3.-वर्तिका a magical lamp or wick.-वरः an epithet of Hanumant; L. D. B.-वामनम् secret con- trivances; Kau. A.-वासिष्ठम् N. of a work (treating of the means of obtaining final beatitude by means of Yoga).-वाहः a term for the sounds विसर्जनीय, जिह्वामूलीय, उपध्मानीय and नासिक्य q. q. v. v.-वाह a. resolving (chemically).-वाहिन् a. assimilating to one's self. -m., n. medium for mixing medicines (such as natron, honey, mercury); नानाद्रव्यात्मकत्वाञ्च योगवाहि परं मधु Suśr.-वाही 1 an alkali.-2 honey.-3 quick- silver.-विक्रयः a fraudulent sale.-विद् a.1 knowing the proper method, skilful, clever.-2 conversant with Yoga. (-m.)1 an epithet of Śiva.-2 a practiser of Yoga.-3 a follower of the Yoga doctrines.-4 a magician.-5 a compounder of medicines.-विद्या the science of Yoga.-विधिः practice of Yoga or mental abstraction; न च योगविधेर्नवेतरः स्थिरधीरा परमात्मदर्शनात् (विरराम) R.8.22.-विभागः separation of that which is usually combined together into one; especially, the separation of the words of a Sūtra, the splitting of one rule into two or more (frequently used by Patañjali in his Mahābhāṣya; e. g. see अदसो मात् P.I.1.12).-शब्दः a word the meaning of which is plain from the etymo- logy.-शायिन् a. half asleep and half absorbed in con- templation; cf. योगनिद्रा.-शास्त्रम् the Yoga philosophy, esp. the work of Patañjali.-संसिद्धिः perfection in Yoga.-समाधिः the absorption of the soul in profound and ab- stract contemplation; तमसः परमापदव्ययं पुरुषं योगसमाधिना रघुः R.8.24.-सारः a universal remedy; a panacea.-सिद्धिः f. achievement in succession i. e. by separate performance; पर्यायो योगसिद्धिः ŚB. on MS. ˚न्यायः the rule according to which when an act (e. g. दर्शपूर्णमास) is said to yield all desired objects, what is meant is that it can yield them only one at a time and not all simultaneously. This is established by जैमिनि and शबर in MS.4.3.27-28. Thus for the achievement of each separate काम, a separate performance of the याग is necessary; (see दर्शपूर्णमासन्याय).-सूत्रम् aphorisms of the Yoga system of philosophy (attributed to Patañjali).-सेवा the practice of abstract meditation. -
15 soigner
soigner [swaɲe]➭ TABLE 11. transitive verbto look after ; [médecin] to treat ; [+ cheval, tenue, travail, repas, présentation] to take care over2. reflexive verba. [personne] ( = prendre des médicaments) to take medicineb. [maladie] to treat• de nos jours, la tuberculose se soigne these days tuberculosis can be treated* * *swaɲe
1.
1) ( chercher à guérir) to treat [personne, animal, maladie]il faut te faire soigner! — (colloq) hum you should have your head examined!
2) ( s'occuper de) to look after [personne, animal, client]3) ( faire attention à) to take care over [tenue, présentation]; to look after [mains]
2.
se soigner verbe pronominal1) ( chercher à se guérir) to treat oneself2) ( pouvoir être guéri) [maladie] to be treatableça se soigne, tu sais! — hum (time to) get the men in white coats! hum
3) ( veiller à sa tenue) to take care over one's appearance; ( veiller à son bien-être) to take care of oneself* * *swaɲe vt1) [médecin] [malade, maladie] to treat2) [infirmière, mère] to nurse, to look after, [blessé] to tend to3) [travail, détails] to take care over, [jardin, chevelure, invités] to look after* * *soigner verb table: aimerA vtr1 ( chercher à guérir) to treat [personne, animal, maladie]; soigner un rhume avec de l'aspirine® to treat a cold with aspirin; sa patte n'est pas cassée, on pourra la soigner its paw isn't broken, we can treat it; faire soigner qn to get sb treatment; se faire soigner to get treatment; il n'y a pas moyen de se faire soigner correctement ici you just can't get the proper treatment here; il faut te faire soigner○! hum you should have your head examined!;2 ( s'occuper de) to look after [personne, animal, client];3 ( faire attention à) to take care over [tenue, présentation]; to look after [mains]; soignez votre écriture/orthographe take care over your writing/spelling.B se soigner vpr1 ( chercher à guérir) to treat oneself; je me soigne aux antibiotiques I'm treating myself with antibiotics; elle n'aime pas se soigner she doesn't like to take anything when she's ill; soigne-toi bien! look after yourself!; je ne suis pas très intelligent mais je me soigne hum I'm not very clever but I'm working on it!;2 ( pouvoir être guéri) [maladie] to be treatable; infection qui se soigne facilement aux antibiotiques infection that can easily be treated with antibiotics; ça se soigne, tu sais! hum (time to) get the men in white coats! hum;3 ( veiller à sa tenue) to take care over one's appearance; ( veiller à son bien-être) to take care of oneself.[swaɲe] verbe transitif[maladie] to treatc'est le docteur Jean qui la soigne [d'habitude] she's under ou in the care of Dr. Jean2. [bien traiter - ami, animal, plantes] to look after (inseparable), to take care of ; [ - jardin] to look after3. [être attentif à - apparence, tenue, présentation, prononciation] to take care ou trouble over ; [ - écriture, style] to polish (up) ; [ - image de marque] to take good care of, to nurse ; [ - repas] to prepare carefully, to take trouble over (the preparation of)4. (familier) [exagérer]5. (familier) [frapper]tu aurais vu ses bleus, le mec l'a soigné! you should've seen his bruises, the guy made mincemeat of him!————————se soigner verbe pronominal (emploi réfléchi)————————se soigner verbe pronominal (emploi passif)ça se soigne, tu sais! (familier & humoristique) they have a cure for that these days, you know! -
16 un
un, une [œ̃, yn]━━━━━━━━━2. pronoun3. adjective━━━━━━━━━1. <a━━━━━━━━━━━━━━━━━► a devient an devant une voyelle.━━━━━━━━━━━━━━━━━• un chien sent tout de suite si quelqu'un a peur de lui dogs know straight away when you're afraid of them• un certain M. Legrand a Mr Legrand• elle a fait une de ces scènes ! (inf) she made a dreadful scene!• j'ai une de ces faims ! (inf) I'm so hungry!2. <• c'est un de ces enfants qui s'ennuient partout he's one of those children who gets bored wherever he goes(PROV) un de perdu, dix de retrouvés there are plenty more fish in the sea• personne ne t'a forcé de venir, et d'une ! for a start no one forced you to come!► un à un, un par un one by one• ajouter les œufs un par un add the eggs one at a time► en... un• en voilà un qui ne se gêne pas ! well, he's got a nerve!• j'en connais un qui sera content ! I know someone who'll be pleased!• il m'en a raconté une drôle sur le directeur he told me a really funny one about the manager► l'un d'eux, l'un d'entre eux one of them► l'un de• l'une des meilleures chanteuses one of the best singers► les uns... les autres... some people... others...• serrés l'un contre l'autre huddled together► l'un dans l'autre ( = tout bien considéré) all in all3. <• un jour, il m'a téléphoné one day he phoned me4. <( = nombre) one5. <a. ( = nombre) une, deux ! une, deux ! left, right! left, right!• à la une, à la deux, à la trois ! (inf) with a one and a two and a three!* * *
1.
1) ( au singulier) a, anil n'a pas dit un mot — he didn't say a ou one word
un jour, je t'en parlerai — I'll tell you about it one day
2) ( au pluriel)il y a des gens qui ne comprennent jamais rien — there are some people who never understand anything
3) ( en emphase)il fait un froid or un de ces froids! — it's so cold!
2.
(l')un d'entre or de nous — one of us
un de ces jours or quatre — (colloq) one of these days
les uns pensent que... — some think that...
3.
adjectif one, a (devant une consonne), an (devant une voyelle)ici, il pleut un jour sur deux — it rains every other day here
4.
nom masculin, féminin oneun à ou par un — one by one
5.
(colloq) adverbe firstly, for one thingun, je fais ce que je veux et deux ça ne te regarde pas! — firstly, I do what I like and secondly it's none of your business!
6.
nom masculin1) ( nombre) oneun, deux, trois, partez! — one, two, three, go!
2) ( valeur ordinale)page/scène un — page/scene one
3) fig••s'en jeter un (derrière la cravate) — (colloq) to knock back a drink (colloq)
un pour tous et tous pour un — all for one and one for all; dix
••
Emploi et prononciation de a et an- On emploie a ə devant les consonnes, les h aspirés et les semi-consonnes j, w (dans a university, a one-eyed man), et an ən devant les voyelles et h muets (hour, honest, heir)Un = pronom- L'emploi de un en corrélation avec autre est traité sous autre. Voir aussi chose, comme, ainsi que les verbes avec lesquels le pronom se substitue familièrement à un groupe nominal comme coller - en coller une, placer - en placer une etc)Un = adjectif numéralEn général, un, adjectif numéral, se traduit indifféremment par a ou one: j'ai un garçon et deux filles = I have a ou one boy and two girlsEn revanche un se traduit par one quand on veut insister sur le nombre. Ainsi, on dira: il ne reste qu'une pomme ( pas deux) = there's only one apple left; mais: il ne reste qu'une pomme ( pas d'autres fruits) = there's only an apple left; j'ai un frère et deux soeurs ( nous sommes quatres enfants) = I have one brother and two sisters; mais: j'ai un frère qui est informaticien ( j'ai d'autres frères) = I have a brother who is a computer scientist; ça coûte une livre = it costs a ou one pound; mais: ça coûte une livre cinquante = it costs one pound fifty; cela a pris une heure = it took an ou one hour; mais: il est une heure = it is one o'clock
••
Emploi et prononciation de a et an- On emploie a ə devant les consonnes, les h aspirés et les semi-consonnes j, w (dans a university, a one-eyed man), et an ən devant les voyelles et h muets (hour, honest, heir)Un = pronom- L'emploi de un en corrélation avec autre est traité sous autre. Voir aussi chose, comme, ainsi que les verbes avec lesquels le pronom se substitue familièrement à un groupe nominal comme coller - en coller une, placer - en placer une etc)Un = adjectif numéralEn général, un, adjectif numéral, se traduit indifféremment par a ou one: j'ai un garçon et deux filles = I have a ou one boy and two girlsEn revanche un se traduit par one quand on veut insister sur le nombre. Ainsi, on dira: il ne reste qu'une pomme ( pas deux) = there's only one apple left; mais: il ne reste qu'une pomme ( pas d'autres fruits) = there's only an apple left; j'ai un frère et deux soeurs ( nous sommes quatres enfants) = I have one brother and two sisters; mais: j'ai un frère qui est informaticien ( j'ai d'autres frères) = I have a brother who is a computer scientist; ça coûte une livre = it costs a ou one pound; mais: ça coûte une livre cinquante = it costs one pound fifty; cela a pris une heure = it took an ou one hour; mais: il est une heure = it is one o'clock* * *œ̃, yn (une)1. art indéf1) (généralement) a, an devant voyelleIl y avait une foule! — It was so crowded!, There was such a crowd!
un de ces... — such a...
J'ai eu une de ces migraines. — I had such a headache.
2. pronIl n'y en a pas un de bon. — Not one of them is any good.
Ils entraient un par un. — They went in one by one.
l'un..., l'autre — the one..., the other
L'un est grand, l'autre est petit. — One is tall, the other is short.
l'un et l'autre — both of them, both
les uns..., les autres — some..., others
Les uns marchaient, les autres couraient. — Some were walking, others were running.
l'un ou l'autre — either of them, either
Prends l'un ou l'autre, ça m'est égal. — Take either of them, I don't mind.
l'un l'autre; les uns les autres — each other, one another
3. numCombien de timbres? - Un. — How many stamps? - One.
Elle a un an. — She's one year old.
4. nm invle un — number one, one
5. nfla une PRESSE — the front page
* * *1 ( au singulier) a, an; une pomme an apple; une femme vous demande a woman is asking for you; un ciel couvert an overcast sky; avec un sang-froid remarquable with remarkable self-control; il n'a pas dit un mot he didn't say a ou one word; il n'y avait pas un arbre there wasn't a single tree; c'est un Paul furieux que j'ai vu sortir du bureau it was an angry Paul that I saw coming out of the office; leur mère était une Montagut their mother was a Montagut; un chien est plus docile qu'un chat dogs are more docile than cats, a dog is more docile than a cat; un accident est vite arrivé accidents soon happen; un jour, je t'en parlerai I'll tell you about it one day;2 ( au pluriel) il y avait des mille-pattes et des scorpions there were millipedes and scorpions; il y a des gens qui ne comprennent jamais rien there are some people who never understand anything; des invités avaient déjà défait leur cravate some guests had already loosened their ties;3 ( en emphase) il fait un froid or un de ces froids! it's so cold!; j'ai une soif or une de ces soifs! I'm so thirsty!; elle marchait avec une grâce! she was walking so gracefully!; elle m'a donné une de ces gifles! she gave me such a slap!; il y a un monde aujourd'hui! there are so many people today!; il travaille jusqu'à des deux heures du matin he works up until two in the morning; il y en a des qui vont bien rire○! some people are going to have a good laugh!B pron (pl uns, unes) gén one; (l')un de or d'entre nous one of us; (l')un des meilleurs one of the best; un de ces jours or quatre○ one of these days; l'un est diplomate one is a diplomat; les uns pensent que… some think that…; pas un n'a dit merci not one of them said thank you; un qui sera surpris, c'est… one person who will be surprised is…; t'en as un, de bateau, toi○? have YOU got a boat?C adj one, a ( devant une consonne), an ( devant une voyelle); j'y suis resté un jour I stayed there for a ou one day; trente et une personnes ont été blessées thirty-one people were injured; ici, il pleut un jour sur deux it rains every other day here.D nm,f one; il n'en reste qu'un there's only one left ; il y en a un par personne there's one each; j'en ai déjà mangé un I've already eaten one; les deux villes n'en font plus qu'une the two cities have merged into one; un à ou par un [cueillir, ramasser, laver] one by one; [arriver, entrer, partir] one by one, one after the other; traiter les problèmes un à ou par un to deal with the problems one by one.E ○adv firstly, for one thing; un, je fais ce que je veux et deux ça ne te regarde pas! firstly, I do what I like and secondly it's none of your business!, for one thing I do what I like, for another thing it's none of your business!F nm1 ( nombre) one; il y a trois uns dans cent onze there are three ones in one hundred and eleven; un, deux, trois, partez! one, two, three, go!; faire un un ( aux dés) to throw a one;2 ( valeur ordinale) page/scène un page/scene one;3 fig elle ne faisait qu'un avec sa machine she and her machine were as one; dans l'adversité ils ne font qu'un they are united in the face of adversity.tu peux me prêter 20 euros? je suis sans un○ could you lend me 20 euros? I'm broke○; s'en jeter un (derrière la cravate)○ to knock back a drink○; elle est fière comme pas une she's extremely proud; il est menteur comme pas un he's the greatest liar; c'est tout un it's all one to me; un pour tous et tous pour un all for one and one for all.( féminin une, pluriel masculin uns [œ̃], pluriel féminin unes [yn], pluriel des [de]) [œ̃, devant nm commençant par voyelle ou h muet œ̃n, yn ] déterminant (article indéfini)il doit y avoir une erreur there must be a ou some mistakeun jour, ce sera permis one day ou someday, it will be allowedc'est avec un grand plaisir que... it's with great pleasure that...un grand voyage se prépare des mois à l'avance a ou any long journey needs months of preparation3. [avec une valeur emphatique]il est d'une bêtise/d'un drôle! he's so stupid/funny!il gagne des 2 000 ou 3 000 euros par mois he makes up to 2,000 or 3,000 euros a month4. [avec un nom propre]un M. Baloi vous demande au téléphone there's a Mr Baloi for you (on the phone)c'est une future Callas she will be another ou she's the next Callas[désignant une œuvre]faire l'acquisition d'un Picasso/d'un Van Gogh to acquire a Picasso/a Van Gogh————————( féminin une, pluriel masculin uns [œ̃], pluriel féminin unes [yn], pluriel des [de]) [œ̃, devant nm commençant par voyelle ou h muet œ̃n, yn ] pronom indéfini1. [dans un ensemble] one[en corrélation avec 'de']un des événements qui a le plus retenu mon attention one of the events that really grabbed my attention[avec l'article défini]c'est l'un des concerts les plus réussis de ma carrière it's one of the most successful concerts of my careerl'un de mes amis one of my friends, a friend of mine2. [en corrélation avec 'en'] oneon demanda un médecin, il y en avait un dans la salle they called for a doctor, there was one in the roomparmi les enfants, il y en a un qui... one of the children...————————( féminin une, pluriel masculin uns [œ̃], pluriel féminin unes [yn], pluriel des [de]) [œ̃, devant nm commençant par voyelle ou h muet œ̃n, yn ] déterminant (adjectif numéral)1. oneune femme sur cinq one woman out of ou in fiveil y a un problème, un seul there's just one problemils n'ont même pas marqué un (seul) but they didn't even score one ou a single goalj'ai fait plus d'une erreur dans ma jeunesse I made many mistakes ou more than one mistake in my youthune à une, les lumières s'éteignaient the lights were going out one by one ou one after the otheravale les cachets un par un swallow the tablets one by one ou one at a timeet d'un, et de deux! that's one, and another (one)!2. [dans des séries] oneune, deux! une, deux! left, right! left, right!————————( féminin une, pluriel masculin uns [œ̃], pluriel féminin unes [yn], pluriel des [de]) [œ̃, devant nm commençant par voyelle ou h muet œ̃n, yn ] adjectif qualificatifun nom masculin invariable -
17 TLEPILLI
tlepilli:Torche, poignée de rameaux de pin pour allumer le feu.Allem. 'Fackelbündel'.Nécessaire au culte du dieu du feu, xiuhtêuctli. Sah2,209." ca achtopa ic nenemachtilôya, mochihchîhuaya in tlecuihuani îtôca tlepilli ", d'abord un brandon est préparé et orné, on l'appelle tlepilli - first the fire brand was prepared and adorned: it was called tlepilli. Préparation du feu nouveau. Sah7,29." tlepilli, ocôpilli quinyacânah ", des torches, des torches de branche de pin les précèdent.Sah2,100-101.Métaph. père, mère, seigneur, chef, gouverneur, etc.
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